excerpt from the novel, Ireland, a Bicycle, and a Tin Whistle

                                                            by David A Wilson

                                                                         ...and Mick stood up for a story:

 Some of you people here might not know this, especially the people who are here on their holidays. But there was a time , a long time ago, when there were no looking glasses in Ireland. Now, you’re probably asking yourselves, well then what did the ladies do? A good question. And the answer’s quite easy. They would wait for a clear day, walk down to the river, and see their reflections in a clear pool of water. You didn’t know that, now, did you?

Well one day, Dinny Noonan came down from Belmullet, a place so backward, that the men couldn’t count their toes with their fingers. And here, in a shop in Westport, he saw a whole row of things he’d never seen before, and didn’t he go up to them and give them a closer inspection. “By Jaysus,” says he, looking at one straight in the face, “isn’t that picture the picture of my very own father, and him dead these past ten years.” “Where’d you get these?” he asks the shopman. “They come in from England,” says he. “Well that’s a queer thing,” says Dinny, “and me never knowing me da was such a famous man in England. What would you be asking for them?” So he bought one for threepence, and carried it home with him, safe in his trouser pocket. And he’d pull it out everyday, and take a good look at it, just to remind himself of his own father. But he thought it best to keep it from the missus, d’ye see, since she and the father had never been too taken with each other, and it would be best to let sleeping dogs lie.

Now it didn’t take long before the wife began to get her dander up. There was Dinny, back from away, sneaking squints into his pocket whenever he thought she wasn’t looking. She began to fear the worst: he’d found some Fancy Woman in Westport, and was so smitten with the hussy that he couldn’t go fifteen minutes without feasting his eyes on her. She’d get to the bottom of this, all right.

Now, one night there was a terrible fire three houses down the street, and all the men rushed out in their pyjamas to put it out before all Belmullet burned down. And that was her chance. She fished into his trouser pocket and what did she pull out but the face of all her fears - the picture of the Westport Hussy. “And she’s no oil painting, either,” she said to herself as she snapped it in her purse.

Well, after that they fought like man and wife, till the air was thick with curses and you couldn’t see the door for all the feathers flying - she with murder and mayhem on her mind, and he telling her it was only his old da, and she never did like him anyway, and him famous in England. But if there was one man in the village who could settle the matter, that very man was the priest himself. For wasn’t he educated in Maynooth itself, and hadn’t he seen as much of the world as a decent man could be allowed to see?

So they knocked on his door and went into his house and told him their different stories. There was only one thing for it; the priest himself must see the picture, and whoever he said it was, then that’s who it must be. He looked at it long and hard. He looked at it sideways, and he looked at it lengthways. He looked at the front, and he looked at the back. And then he started to smile. And then he started to laugh. And he turned to the husband, and told him that was never a picture of his old da. And he turned to the wife, and told her that was never a picture of the fancy woman from Westport. And he turned to them both, and told them they were a right pair of eejits, if ever eejits there were.

“Would yous ever catch yourselves on and see sense?” he said. “Isn’t that nothing else but a picture of the old parish priest who was here before me?”

Home